Publication Date June 12, 2026
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June 12, 2026UncategorizedBrings Down the House at
F&M Bank Amphitheatre
June 11th, 2026 Review by Jimmy Alvarez
Southern California has always been a place for fun, sun and entertainment. For many, Long Beach has been a place where memories have been made. On the inaugural show at F&M Bank Amphitheatre, Long Beach was ripe to be one of those moments in time fans will never forget.
It’s been a minute since the announcement was made of the new venue, and the day was finally here. As the masses gathered, the staff at OC Music News was set to walk over to check out the show for the hometown hero.
As we started our walk in, we ran into a family that was visiting from Brookings, Oregon. We ran into Heather, Ginger and her two boys, Jace and Bryant. They mentioned they are originally from SoCal, and this show was definitely a bucket list moment for them. They grew up listening to the music of one, Calvin Broadus, Jr. who is most affectionately known as Snoop Dogg. When they heard the news that he would open the Long Beach Amp, they got tickets and couldn’t wait for this day. Like most, his music was the backdrop to the soundtrack of their youth.
I also ran into Jerod Brown, he said when he was younger, he was getting in trouble all the time, and Snoop made him think about life and what he wanted to do with his life. Because of his music, he turned things around and has a family he loves and credits his luck to being positive, like Snoop. I also met Mirna Echevarría, she too told me how much this show meant to her. She said his life has been inspiring for her. She said that she realized a long time ago that it doesn’t matter where you come from, or what your past was, be positive and believe in yourself and good things will happen. Her admiration was not due to his music; it was about how he lives his life and for that… he became a role model to her.
June 6th, 2026
As doors opened we all got to see for the first time the harbor and the city skyline, wow. Then, as we cleared security, we saw the seating, and then there it was, in the backdrop was her Majesty, the Queen Mary. That was a sight you just don’t see anywhere else, so yeah… what a sight! The press release described the $21 million F&M Bank Amphitheater as a venue that sits right on the waterfront with the Queen Mary in the background. This venue does right by the city and adds significant value to its musical legacy.
Once in, the Amp filled up quickly – the crowd was diverse, all nationalities and ages were represented; teens, 20 and 30 something year olds rolled in: there were fans in their 50s, 60s up to a 99-year-old were all in the house.
Photo by Marvin Roca
As we took our seats, I noticed some serious looking security around. Turns out that the city of Long Beach had just hosted the U.S. Conference of Mayors. It had leaders from Atlanta, Sacramento, Richmond, Santa Monica, Fresno, Oklahoma City and San Diego. I’ll circle back to that.
The show was hosted by comic, Gary “G Thang” Johnson. He lived up to the hype; he was funny and kept things rolling. First up was Snoop’s nephew, Rey Vaughn. He did a very good job as the opener. He provided a great sound and had dynamic delivery of his music.
Because he was an opener, his set was abbreviated, fans appreciated his set. Vaughn delivered on “XXXL Tee,” “3PM,” “Klown Dance,” “Suburban Kidz,” and a very funny and entertaining offering of “Dollar Meal.” He could’ve have stayed out a little longer, but he too like his uncle is a showman and he gave the capacity crowd what they wanted, a short and good opening set then, a handoff to the headliner.
Photo by Marvin Roca
The show was billed as Snoop Dogg & Friends back in the LBC, the “friends” portion was kept under the vest until the proverbial curtains were to go up. The moment finally arrived that fans were waiting for – it was show time! Featuring two dynamic dancers, the enormous video screen was a great addition to the stage which took us on a virtual journey through the history of West Coast rap and the culture it created.
The show started with “Deep Cover,” which fans lost their minds over. Snoop was Snoop, cool as an ice cube with his stylish dance moves in tow.
Who knew he would deliver a 49-song opus; some full-length songs and others were abbreviated versions: minuets so-to-speak.
The hit parade made the crowd nostalgic as they sang along to “Lil’ Ghetto Boy,” and “Nuthin’ but a “G” Thang.” Both songs made that place shake. Other show highlights included “Rat-Tat-Tat-Tat,” “Stranded on Death Row,” and “Who Am I? (What’s My Name?)”
Fans loved, loved, loved “Tha Shiznit,” “Serial Killa,” “Lodi Dodi,” then the crowd got real as they erupted to “Gin and Juice.” Everybody was on their feet, singing along and having the time of their lives!
Another highlight was the 2Pac cover of “2 of Amerikaz Most Wanted,” “Snoop’s Upside Ya Head,” “G’d Up,” “P.I.M.P.,” and a cover of Katy Perry’s “California Gurls.” All I can say is them cats can dance – it was a show!
Photo by Erin Nola
“Push It,” “Yaya,” and another kick-ass cover followed: House of Pain’s “Jump Around.” It was incredible how much the crowd loved the performance. In addition to the great tunes, Snoop was joined throughout the night by a drove of great artists, The Lady of Rage, Kurupt, Daz Dillinger, Big Tray Deee, Tha Eastsidaz and N’Matez.
As unreal as the show was, all good things eventually come to an end as Snoop Double O-G closed out with “Drop It Like It’s Hot,” and “Young, Wild & Free.” Needless to say, the show got a standing ovation that was moving. You could feel the emotion and love from the crowd for not just that night of music, but what this music has meant to the crow over their lifetime.
Photo by Erin Bola
Now that the show was technically over – there was that thing with the city representatives being in the crowd. Turns out Long Beach Mayor Rex Richardson was there to honor Snoop with a key to the city.
In the delivery, Richardson said, “Long Beach created the culture, and Snoop Dogg shared it with the world. “Tonight’s sold-out opening of the F&M Bank Amphitheater was more than a concert; it was a historic cultural moment decades in the making. Presenting Snoop Dogg with the Key to the City recognizes not only his extraordinary achievements in music, entertainment, and business, but also the authenticity, creativity, and pride with which he has represented Long Beach on the global stage for decades.”
Photo by Marvin Roca
In the end, it was the positive influence Snoop has had on Long Beach and its residents who consider him part of their family. This was more than an opening night of a new venue; it was a homecoming and recognition of one of its favorite sons. Turns out Heather, Ginger, Jerod and Mirna all capsulized what Snoop means to so many people for so many reasons.
Photo by Alex Dobi
The amphitheater’s 2026 lineup is set with more memory making bands and artists, including Ice Cube, Lil Wayne, Les Claypool & Primus, Toto, Luke Bryan, Five Finger Death Punch, Dirty Heads with 311, Stick Figure, and Mötley Crüe, with many more on deck.
For Long Beach and Snoop fans worldwide, this was a night to remember. And for the staff at Long Beach Amp, a job well done!
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June 11, 2026UncategorizedLOS LOBOS
Rock The Garden Amphitheatre
June 11th, 2026 Review by Bruce R Kilgour
On a beautiful June evening in Orange County, Los Lobos made their Garden Amp debut in front of a sold-out crowd of devoted fans.
It is hard to believe that there are still Southern California stages the Grammy-award winning, East Los Angeles band has not performed on, but this venue was a perfect choice.
The night began with a 50-minute set by the popular local cover band Family Style, an extremely tight outfit that kept the crowd dancing with their well-crafted set of ‘70s and ‘80s funk and R&B hits.
Los Lobos’ four core members – David Hidalgo (vocals, guitar), Louie Pérez (drums, guitar), Cesar Rosas (vocals, guitar), and Conrad Lozano (bass) – have stayed together for 53 years. Saxophone and keyboard player Steve Berlin has been around almost as long having joined in 1982. Playing together this long certainly affords them the chance to veer from their prepared setlist, and this reviewer has seen them do this at every show.
The list showed them opening with two frequently performed cover songs, “Flat Top Joint” (The Blasters) and “Love Special Delivery” (Thee Midniters), however Los Lobos came out to a huge roar from the crowd and launched into “Why Do You Do” from their 1983 EP “…And a Time to Dance.” Pérez explained to me post-show that they made a last-minute decision “to go old school!”
Evident from the start was the fact that the three guitarists intended to play loud and fast on this evening, with Rosas using his wah-wah pedal extensively and Pérez playing far more lead solos than we have seen in a while.
“Will the Wolf Survive?” and “Set Me Free (Rosa Lee)” from their first two LPs followed, then a rollicking version of the Ritchie Valens classic “Come On, Let’s Go.” Next up was the first Spanish language segment of the show with “Chuco’s Cumbia” and “La Vengaza de Los Pelados.” Pérez brought out his jarana – a small guitar-like Mexican instrument – for both songs.
Their cover of Sublime’s “Pawn Shop” was next, and the crowd was treated to a guest appearance of Hidalgo’s grandson Luca Savaglio on drums, giving Lobos drummer “Fredo” Ortiz a short break.
The band played a short snippet of “Papa Was a Rollin’ Stone” while special guest Sammy Avila set up at Berlin’s keyboard. Avila is a well-known and popular Orange County keyboardist most known for his long tenure in blues guitarist Walter Trout’s band, and sat in for “Evangeline” and a short version of “Oye Cómo Va.”
The Mexican bolero “Sabor a Mi” and ranchera “Volver, Volver” followed, with Hidalgo switching from guitar to accordion. A raucous cover of “I Got Loaded” was next, then it was back to the first album for “Don’t Worry Baby.”
The main set closed with a furious extended version of “Mas y Mas” that featured blazing guitar solos from Rosas, Pérez, and Hidalgo. Rosas said good night and praised the venue with a promise to return someday.
Los Lobos quickly returned to the stage for a lively “Georgia Slop,” the 1959 Jimmy McCracklin single they have covered for over 40 years. Not surprisingly, the crowd wanted “La Bamba,” and they got it (with a snippet of “Good Lovin’” in the middle) with Avila once again joining the festivities.
Los Lobos will be on tour all year, with many dates seeing them joined by Los Lonely Boys. Their next California shows are up north in July and August, and surely some local shows will be added to their calendar.
Fifty-three years on, Los Lobos are an American musical treasure!
SHOW PHOTO GALLERY
by Todd Markel Rock Images
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June 10, 2026UncategorizedSANTANA & THE DOOBIE BROTHERS
Team Up for ONENESS Tour
June 10th, 2026 by Stuart Karpel
Two Rock and Roll Hall of Fame musical legends have joined forces for a co-headline tour this summer. Carlos Santana and The Doobie Brothers will travel across North America for the Oneness Tour, giving us a night of Grammy-winning talent.
Carlos Santana has continuously bridged cultures and music genres for decades with his vibrant blend of blues, rock, and jazz, but fans know you can expect a lot more than just a performance – rather, it will be a musical journey.
Since the late-1960s, the legendary guitarist has continued to set the scene for rock music with his combination of iconic riffs paired with his unique Latin-music style. If you are looking to experience mind-blowing melodies, catchy lyricism, or you just want to catch a hypnotic groove, then you’re not going to want to miss this tour.
Fans can expect to hear the unforgettable sound that has defined his career for more than five decades, a communal experience built around euphoric energy and connection. Crowd favorites such as, “Oye Coma Va,” “Evil Ways,” “Guajira,” “Smooth,” “Winning,” “Maria Maria,” and many more chart-topping songs from some of his most infamous albums – “Supernatural,” “Santana III,” and “Abraxas” – are destined to be the soundtrack for the evening.
The upcoming tour celebrates the outstanding musical career of the psychedelic-rock legend who emerged from San Francisco’s 1960s music-scene. But thanks to Santana’s appearance at Woodstock in ‘69 – and the immediate success of the band’s first albums – the household name has consistently remained, producing Billboard-worthy projects for years.
The tour also correlates with Santana’s recent album, “Sentient,” showcasing his willingness to collaborate with other artists while also keeping the authenticity of his expressive, unique guitar-style.
It’s not the first time Santana and The Doobie Brothers have toured together. In 2019, The Doobie Brothers were on board for Santana’s Supernatural Now tour. Obviously the gents get along well!
The Doobie Brothers, of course, are legends on their own. After their jaunt with Santana, they have their own North American Tour, Walk This Road. The band will celebrate the 50th anniversary of their incredible album, “Takin’ It to the Streets.” Their sixth studio album, it was the first to feature the instantly recognizable Michael McDonald on lead vocals and keyboards.
In addition to the title track, it gave us other memorable hits “It Keeps You Runnin’” and “Wheels of Fortune.” The band is releasing a special anniversary edition of the album that includes tracks from original analog masters, which will drop July 10th.
The Doobie Brothers also have new material having released “Walk This Road” just last year. It’s the band’s “first ever studio album featuring principal members Tom Johnston, Patrick Simmons, John McFee and Michael McDonald.”
Hopefully they will give us some of their classics – perhaps “Black Water,” “What a Fool Believes,” “Listen to the Music,” “China Grove,” “Jesus Is Just Alright,” “Minute by Minute,” and “You Belong to Me.”
The Oneness Tour includes stops in Chicago, New York, Toronto, and of course Los Angeles. SoCal has August 11th at North Island Credit Union Amphitheatre in Chula Vista, and August 13th and the iconic Hollywood Bowl.
When the sun sets over the Hollywood Hills, and the stars shine brightly into the summer night, you can expect nothing less than a spiritual exploration with these musical heavyweights. It will be an evening jam-packed with honoring remarkable legacies, as well as the perfect manifestation for timeless live music.
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June 10, 2026UncategorizedWith Saving Grace
Announce Up The Sharp End Tour
June 10th, 2026 by Traci Turner
The voice of iconic rock songs “Stairway to Heaven,” “Immigrant Song,” “Whole Lotta Love,” “Kashmir,” “Ramble On,” “When the Levee Breaks,” “Dazed and Confused,” “D’yer Mak’er,” and “Babe I’m Gonna Leave You,” the one and only Robert Plant, will bring his current project, Saving Grace, to the US. I am willing to bet he will toss in some of that Led Zeppelin for us because… why wouldn’t he?
The English rock band that continues to influence the artists of today was formed in 1968 when Robert Plant, Jimmy Page, John Paul Jones, and John Bonham joined forces to create an electric-guitar sound changed the world of music.
Hundreds of millions of albums sold and these Rock and Roll Hall of Famers left behind a legacy of music that will endure for generations to come. Sadly, the death of Bonham led to the band’s break up in 1980.
The man who gave voice to those unforgettable songs, Plant would go on to create other projects including The Honeydrippers, Page and Plant, Them Crooked Vultures, and since 2019, Saving Grace.
Saving Grace’s Up the Sharp End tour will hit 16 cities, launching September 18th in St. Louis, and wrapping up October 15th in Chicago.
SoCal has September 26th in Highland at Yaamava’ Resort & Casino, and September 28th in San Diego at Humphrey’s Concerts by the Bay.
The band had a spring US run as support for the “Saving Grace” album – Plant’s 12th album since the Zeppelin days – but they are spending the summer hopping around Europe. Sharing the stage with Plant is co-vocalist Suzi Dian.
Ticket pre-sales are on now and general on sale begins Friday at 10 a.m.
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June 10, 2026UncategorizedLive at Observatory Festival Grounds
June 10th, 2026 Review by Joey Clark
Outside of the historic Observatory OC lay a simple field of asphalt. What normally serves as an ordinary parking lot for the venue’s plethora of shows became the foundation for a truly special night.
Yellowcard brought their Up Up Down Down tour to the festival grounds, and the night would prove to be incredible for those who remembered Vans Warped Tour fondly being a Mecca for pop punk fans. Cars were replaced with thousands of fans, merch tents, vendors, and of course an impressive stage that one wouldn’t dare want to take their eyes away from.
It was evident that many were fans of all three acts performing – Plain White T’s, New Found Glory, and of course, Yellowcard. With the parking lot being taken over, we were shuttled from Santa Ana college and fans were electrified with excitement on the packed buses – all before hearing so much as a single chord.
Plain White T’s were the first to take on the Orange County crowd. It’s not an easy feat, but the band forged together in full force for their eight-song set, led by frontman Tom Higgenson. What was evident from the beginning of their set was their joy and excitement; that sentiment carried through the crowd as each song passed.
The band’s current lineup has remained consistent since 2003, and their performance reflected that fact. They were dialed in on every level without taking away a moment of fun from their set.
What amazed me is that the crowd sang along to the lesser-known cuts from the band’s catalog – like “Would You Even” and “Feeling (More Like) Myself” – as much as they did the massive hits – like “Hey There Delilah” and “Our Time Now.”
What started as a small band from Lombard, Illinois fighting for a chance in the clubs of Chicago, is now a staple in our playlists and they reaffirmed their status in the pop punk scene for everyone in attendance.
The gaps between audience members began to lessen. New Found Glory would have to follow an impressive performance and deliver, and they would do nothing short of that. The level of enthusiasm that emanated from each of the band members was nothing short of extraordinary.
With lead vocalist Jordan Pundik spearheading the charge, everyone followed with a fun sense of chaos and mischief. There was no hiding that these guys loved to play and at the highest level through and through.
It’s rare to see a band have its original lineup still intact for nearly 30 years. Unfortunately, lead guitarist Chad Gilbert’s presence is sorely missed by fans as he is away battling cancer, but Dave Knox from Real Friends has stepped in during this difficult time and has afforded New Found Glory a stellar live performance.
The band kicked off the night with a new deep cut from the album, “Listen Up!” called “A Love Song.” The crowd was instantly won over by the heartfelt, yet punchy anthem.
What was thoroughly impressive is that the energy never dwindled throughout their set, they only upped the ante. From playing brand new songs like they were the staples we grew up with and remember so vividly, to performing the hits with a renewed sense of passion the boys brought their A-game.
I would be remiss if I failed to mention one of the biggest highlights of the night: Jordan Pundik asked if there were any Disney fans in attendance knowing full well the parks were in close proximity. The audience screeched with excitement as the band launched into their rendition of “Part of Your World” from “The Little Mermaid,” off the pop punk Disney album, “A Whole New Sound.” It was truly a spectacle as Pundik did the song justice and flowed through the high notes of the tune effortlessly.
The band ended their night with “My Friends Over You” and the crowd was singing at the top of their lungs, then bidding them a heartfelt farewell as they departed the stage.
One aspect of an Orange County crowd that never fails to amaze me is that they show up. Not only as attendants, but as participants. The crevices between concertgoers were filled, the pit was locked and loaded for Yellowcard.
After a hilarious encounter with t-shirt gun armed Ghostbuster and the Stay Puff Marshmallow Man, the stage went quiet.
Lead guitarist Ryan Mendez entered the stage performing the “Top Gun Anthem.” As the song progressed, members of the band emerged one by one – Josh Portman (bass), Sean Mackin (violin), Jimmy Brunkvist (drums), and then frontman, Ryan Key. The crowd’s response was insane to say the least.
The band launched into “Better Days” off their latest release of the same name. It has become the band’s first single to chart at number one in their storied career.
The stage was reminiscent of a vintage Nintendo system and Key had a Fender Telecaster made to fit the overall motif of the Up Up Down Down Tour name. The vintage look paired with a fresh sound was a clever and artistic juxtaposition. About mid-way through the set, a slight changeover took place, and a bedroom set now stood in front of the NES design. Upon the flannel patterned couches that now adorned the stage, sat the band. They toned down the pace for a few songs, giving the audience an intimate segment that served as a nice transition between the larger portions of the set.
To close out the night Yellowcard played an additional eight songs that included the hits, “Breathing” and “Bedroom Posters,” and closed with the pop punk staple, “Ocean Avenue.”
After the latter, the audience rejoiced with thunderous applause at the spectacle that they just witnessed.
Yellowcard, New Found Glory, and Plain White T’s gave the OC a phenomenal show that most of us will remember for decades to come.
FESTIVAL PHOTO GALLERY
by Highway One Photography
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June 8, 2026UncategorizedLIVE AT
In-N-Out Burger Sound Space at KROQ
June 8th, 2026 Review by Stuart Karpel
The newly renamed and refreshed In-N-Out Burger Sound Space at KROQ was the place for Death Cab for Cutie fans to be, and they lined the sidewalk in anticipation of the show’s start, enjoying their In-N-Out burgers and sharing stories about past shows.
KROQ employees, 106.7 contest winners, and Death Cab for Cutie super-fans alike waited anxiously for the doors to open, almost like the night wouldn’t truly begin until they were let inside. One fan casually mentioned it would be their 84th time seeing the band.
Once inside the In-N-Out Sound Space, every inch of the room quickly filled. More than 200 fans packed together shoulder-to-shoulder, gripping the front rail as if it were the edge of a cliff. The crowd buzzed with restless energy. Front-row fans flexed their shoulders and white-knuckled the stage railing, silently willing the show to start on their own terms.
Before the set began, KROQ’s Music Director, Miles Anzaldo aka Miles the DJ invited Ben Gibbard (lead vocals and guitar) and Nick Harmer (bass) to the stage for a brief interview, which felt more like a conversation between old friends than anything else. Mentioning their recent signing to Anti- records and the creation of their new album, “I Built You a Tower,” fans reacted with cheering and witty laughter as Gibbard spoke of a renewed sense of confidence and creativity with their new material.
Gibbard remarked that this experience “felt like the ‘90s” as nearly 90 songs were produced for the album, which made a “no phones” night at the Sid the Cat Auditorium the day before the perfect setting to embrace the connection between artist and audience. They shared their surprise that fans had already memorized multiple songs from “I Built You a Tower,” particularly “Stone Over Water,” despite only a few songs being available to the public at the time.
During the small intermission after the interview, the floodlights dimmed, an array of LEDs set the scene, and Death Cab took the stage as the crowd roared in excitement. From the first riff, fans know exactly what song would follow, “Riptides.”
From the get-go, the bass and drums surged through the room like waves crashing against a seawall. By the second verse, every one of Jason McGerr’s drum kicks was felt up your spine, seemingly shaking the floor beneath the audience’s feet.
The band then quickly launched into “The New Year” and as the LED lighting became brighter, Gibbard smoothly settled into a more animated stage presence.
The momentum continued with “Punching the Flowers” and “Here to Forever” as the tightly packed audience went from headbanging to swaying simultaneously with the somber ballad like tall grass in a windy field. The consistent singalong from the audience perfectly demonstrated the band’s ability to control the room’s emotional response.
Midway through the set, Gibbard switched to his sleek, black electric guitar leading into the next track, “Stone Over Water.” Ironically the instrument change slowed the mood, capturing the moment like a breath of fresh air after a sprint.
Next, they shared an unreleased song from the new album called “Trap Door,” introducing a quicker rhythm while maintaining a reflective energy. Gibbard picked up a tambourine, pressed it against his chest and despite the track’s newness, it felt nostalgic for the crowd like they’ve heard the tune a million times over.
They announced the last song, “Soul Meets Body,” as well as shouting out KROQ and thanking everyone for coming to the show. Fans practically sang the chorus on Gibbard’s behalf. For the first time all night, everyone pressed record and put their phones in the air, not to distract from the moment, but to encapsulate it.
Gibbard tossed his guitar pick into the crowd, causing a spontaneous but not unexpected wave of applause as the room exploded into a final plethora of cheers, whistles, shouts.
Although the seven-track setlist was brief, the band transported everyone in the room back to the ‘90s for an unforgettable night. The riveting performance wasn’t just a concert; rather a cherished memory for all those in attendance.
SHOW PHOTO GALLERY
by Skyler Barberio | @skylerbarberio (IG)
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June 7, 2026UncategorizedSLAUGHTER & QUIET RIOT
Coming to Grove of Anaheim
June 7th, 2026 by Stuart Karpel
If you’re looking for a communal headbang with the O.G.s of hair metal, Quiet Riot, Slaughter, and Tuff plan to rock-the-roof-off of The Grove of Anaheim next month. On July 24th, fans can experience high-energy tracks from albums like “Metal Health,” “Revolution,” and “The Wild Life.”
Originally performing in iconic hard-rock venues on the Sunset Strip and the Vegas Strip through the early ‘80s and ‘90s, the bands have been rocking out for decades and don’t plan on slowing down anytime soon.
From infamous glam metal ballads, including “Fly to the Angels,” “Up All Night,” “Don’t Wanna Let You Go,” and “Love’s a Bitch,” these bands never planned on staying poised, rather they want you to “Feel the Noize.”
These wild tunes don’t just consist of instruments being played, they are purely performed to rock your socks off and transform any venue back to a time of freedom and rebellion of the ‘80s and ‘90s.
No matter the bandmates’ age or struggle over time, their presence onstage remains as commanding as ever, and the Grove’s intimate setting will set the tone for the immersive echo of memorable hooks, timeless guitar solos, and an unforgettable, energetic spirit. Their performance is expected to exemplify the grit and adrenaline of the larger-than-life music genre that is hair metal, as well as unifying concertgoers across decades with an electric atmosphere.
If you want to hear explosive rock, you want a night drenched in nostalgia, or to just experience the powerful effect of rock-and-roll legends, come to Anaheim and prepare yourselves as this show won’t be like any other.
Ticket sales are limited, so get yours now because you don’t want to miss it.
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June 4, 2026UncategorizedINDUSTRY REPORT # 64
Catching up with L7’s Donita Sparks
June 4th 2026 by Traci Turner
Last year, punk rock veterans L7 celebrated their 40th anniversary with a sold-out bash at the Belasco in Los Angeles. Now the legends have decided to extend the party across North America with The Last Hurrah Tour, which is exactly what it sounds like, unfortunately.
Since they crashed the music scene of Los Angeles in 1985, the “Bricks Are Heavy” band made up of Donita Sparks (lead vocals and guitar), Suzi Gardner (guitar), Jennifer Finch (bass), and Demetra Plakas (drums) has been vocal about who they are, and that’s kinda why we love them. The incredible music – including their mega hit “Pretend We’re Dead” – is a fantastic bonus.
The farewell fall trek will kick off with two nights in San Diego, October 6th and 7th at Casbah, and then make stops in Nashville, Atlanta, Philadelphia, Boston, Chicago, Denver, and more before closing out back home in LA at The Wiltern on November 14th.
Announcing the tour, Sparks said, “When L7 decided to release a documentary in 2015, we thought maybe we would take one last victory lap around the sun by playing some shows. Instead, that lap turned into eleven more years of touring, sweat, new music, and reconnecting with the fans who made this all possible in the first place.”
Sparks went on, “Looking out into the crowd, seeing longtime supporters rocking out next to a new generation of L7 fans has been the most powerful and humbling part of this chapter. We are deeply grateful and ready to give our audiences one last, loud, fun, and hopefully unforgettable night of rock & roll.”
We figured the best source of info for The Last Hurrah Tour would be the legend Donita Sparks herself…
Traci: Donita! How are you?
Donita: I’m good. I’m busy, a little stressed, but it’s all good. We’re getting a lot of cool feedback on the announcement.
Traci: You are very busy! I saw that you’ve also been guest hosting a podcast lately. Are you enjoying that?
Donita: Yes, the podcast is called “Launch Left.” It was started by Rain Phoenix, and she did many, many interviews, and then she wanted to take a break, so she asked if I would guest host, and I did. I loved my guests, and I loved the conversations that we had. I interviewed Lydia Lunch, and Lenny Kaye from the Patti Smith Group, and Michael Des Barres. I really enjoyed it, but I did a lot of research, and it took a lot of time. Rain was like, “Oh, you don’t have to do research, just wing it.” I’m like, “I don’t wing anything!” It was hard work, but I enjoyed it.
Traci: The last time we talked, you mentioned that you liked Amy Taylor as a frontwoman for Amyl and the Sniffers, and now you’re going to tour with them. How did that come about, and have you met her yet?
Donita: I did! I saw her walking down the street in Echo Park; she was not dressed up or anything – she was in like jogging shorts and a t-shirt walking with a guy. I was just like, “That’s fucking Amy Taylor.” I pulled over and I said, “Hey, are you Amy Taylor?” and she said, “Yeah, you’re Donita Sparks!” So, it was really cool – she knew who I was, I knew who she was, and it was just this meeting of happenstance on, on the sidewalk. Then their agent contacted ours, and we’re playing with them next week. That’s how that came about, and we’re really looking forward to it.
Traci: Last year when we talked, you were gearing up for the sold-out 40th celebration event. Now… The Last Hurrah, the final goodbye!
Donita: The Last Hurrah!
Traci: That’s a lot of dates. You are covering the country.
Donita: Yeah. Yeah. It is a lot. When we announced the first dates, then the reaction was very positive, our agent was contacted by a lot more cities, and so that’s why it got so big. We had more days off, but then everything just got kind of jam-packed. It kicks off at the Casbah in San Diego now, and they wanted one show and that sold out, then they added another show. It’s cool, we’re starting out in San Diego and we’re ending in LA after doing the whole country, and it’ll be a cool tour.
Traci: Yeah, I was scrolling and scrolling, “Damn, they’re gonna be gone a while.”
Donita: Yeah.
Traci: Are you allowed to say you have planned?
Donita: We are coming up with ideas and we’re going to put on a show that’s different than we’ve put on for the last few years. There will be surprises in there. No plans for Jack Black coming out or anything like that, but you never know. It’s going to be a different show and a well-thought-out show. I mean, all of our shows are well thought out, but this one’s going to take more preparation.
Traci: Without naming names, is there a song or songs that you’ve always loved but you have never played?
Donita: Oh, this is such a spoiler question.
Traci: You could just say yes and I won’t ask the title!
Donita: Yes, there’s going to be songs that haven’t been heard on stage in 25 years, and then there’s going to be songs that we’ve never played on stage. New songs and old songs. That’s what we’re going to be working on, and that’s why we’re going to have to get together sooner and start rehearsing.
Traci: That was another thing you mentioned the last time we talked; you said you had to get to work because you had to write some new songs.
Donita: Yes, yes, I gotta do some work. I still have to do some work because we want to release a single or an EP this summer, so I’ve got to get on it. We’ve got it lined up with the manufacturer and everything, so I now I have to deliver. So that’s… what do they say? Ten percent inspiration, 90% perspiration.
Traci: When, in your life, did you start writing songs?
Donita: I started writing songs when Suzi and I got together. We started writing songs immediately, and that was in ‘85.
Traci: So, you weren’t writing songs about crushes at like age eight?
Donita: No, no, and I should have been. I should have been, because I wish I had been a better songwriter on our first record. I think I became a better songwriter. I just wish I had been writing earlier, like at 15 or 16. I just thought it was completely out of my reach. I was like, “What am I doing writing a song? Who the hell am I to write a song?” I viewed my idols as so untouchable and intangible, so why would I even consider getting into that arena, you know?
Traci: Well, you’re fucking Donita Sparks! Do it!
Donita: Well, you know, what can I say?
Traci: Was celebrating the 40th last year what put it in your heads to go out big?
Donita: That was it. It was like, “Okay, that’s our 40th. Yeah, we did great. Let’s do it one more time,” because when we went on our indefinite hiatus in 2001, 25 years ago, we did not go out with a hurrah. We trickled down, trickled down, the wheels fell off. When we played our last show, it was in Spain, we didn’t even know it was gonna be our last show. It’s like the Joni Mitchell song, “Don’t it always seem to go that you don’t know what you’ve got ‘til it’s gone?” So, we’re saying bye-bye, and there’s a lot of excitement about it in a good way, not in a bad way. I feel it’s gonna be a joyous occasion. Bittersweet, but a joyful one.
Traci: I saw online comments from fans that they appreciated that ticket prices were reasonable, unlike a lot of other tours right now too.
Donita: Wow, that’s great. I love that, because ticket prices are so expensive for fans and touring is very expensive for bands, and we are not a big enough band. We don’t have enough hits to play county fairs or casinos that can help subsidize your career. We can’t play Jay-Z’s birthday party. It’s expensive for us and we don’t want to jack up ticket prices. Between the cost of a bus and the cost of this silly war we’re in with the oil, it’s a lot.
Traci: Yeah, I’m seeing it all over, and it just sucks. It sucks for the bands and sucks for the fans, but I get it. Plus, not everyone understands just how much goes into touring costs.
Donita: Yeah. I think some of this blue dot fever, whatever they’re calling it, some of that is a little ego-driven because huge, huge artists don’t want to play to an empty stadium. I wouldn’t want to, but the ticket prices, the fans… it’s a mess. Where we’re at, we’re kind of lucky because our fan base is so loyal that we can do it. We just can’t do it any bigger than we can right now.
Painting by Becca Kozak
Traci: Do you guys have a support act or is that secret too?
Donita: We’ve got a shortlist. We’re trying to figure out if we’re gonna bring a band out for the whole tour or go regionally or even locally.
Traci: Now this hopefully will not break any kind of secret. What are you going to do after, when it’s all done? Are you just going to become a lady sitting on a porch yelling at kids to stay off your lawn?
Donita: Well, I don’t have a lawn, so that’s a problem! I’m not sure what I’m gonna do. I’d love to do some solo stuff. I don’t know if there’s a demand for it, but I’m gonna figure it out.
Traci: Well, we won’t push you out the door yet. Let’s enjoy this Last Hurrah starting in San Diego.
Donita: Yeah, we’ve got the two shows at the Casbah October 6th and October 7th, the ender at The Wiltern on November 14th. So be there or be square because it’s going to be fun. We’ve never played The Wiltern before, so it’s kind of, kind of a big deal.
Traci: Really?! I just assumed you had.
Donita: It’s a big place, and beautiful green Art Deco building, very historical. We’re playing a lot of historical theaters on this run. We’ve always done that; I always love that stuff. I’d rather play an old theater than, you know, a new modern whatever. But come on out to The Wiltern for the big show, and if you want, if you like it more packed and sweaty, come on out to the Casbah.
A sweaty night with L7 sounds pretty darn perfect! Join them for The Last Hurrah because according to Sparks, it really is the final run for L7, and you can’t say you were not warned!
In sad news, since our interview the band announced Jennifer Finch would need to sit out the tour due to a “health concern requiring extended treatment.” Tsuzumi Okai will handle bass in Finch’s absence.
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SID 260605 | JIMMY ALVAREZ | EDITOR [...]
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June 4, 2026UncategorizedLive at Music Box San Diego
June 3rd, 2026 Review by Greg Vitalich
For more than three decades, Lords of Acid have found success integrating electronic/techno dance music, heavy industrial rock, and brash sexuality. Founded by Belgian musician Praga Khan, the band’s hypnotic grooves, pounding beats, and provocative lyrics helped establish Lords of Acid as one of the most recognizable names in industrial dance music.
The recent addition of lead vocalist Carla Harvey was all the inspiration I needed to attend my first Lords of Acid show at the intimate Music Box in downtown San Diego. Harvey is well known for her charismatic stage performances and sex-appeal as former co-lead vocalist of metal act Butcher Babies. How would Harvey take on the role as Lord of Acid’s new “Acid Queen?” It was time to experience the Lords of Acid on their 2026 Cheeky and Freaky Tour.
Friday night downtown in America’s Finest City for some great live music: The first of several opening acts I enjoyed was the NYC pop disco glam outfit Tony and the Kiki, who’s drag queen theatrics kicked the night into festive high gear with a wildly entertaining set.
Following that vibrant outrageousness, darkwave act Dead on a Sunday changed the vibe up with a dark melancholy set, focusing on emotion and atmosphere powered by entrancing heavy guitar riffs over synth-driven grooves.
Both supporting acts delivered quality performances that built the night’s energy and readied the crowd for the headliners.
Lords of Acid kicked off their set with the raunchy “Scrood Bi U,” filling the venue with booming industrial dance grooves as a smiling Harvey took the stage with confidence and provocative gyrating body roll dance moves that captivated onlookers.
Sporting a stunning fetish-inspired red short dress, over the knee black spandex boots, and a sparkly “ACID” necklace, Harvey bounced all over the stage singing, “I wanna be screwed by you and you and you…” while pointing to various audience members.
MUSIC BOX
San Diego, California
May 29th, 2026
While Harvey’s powerful singing and sensual dancing captivated the crowd, the band blasted their signature heavy industrial techno grooves transforming Music Box into a raging adult-themed dance club.
Founding member Praga Khan rocked the synth, drummer Galen Waling was a monster pounding the kit, bassist DieTrich Thrall pounded pulsating bass lines while pacing the stage with a stoic goth presence, and guitarist Creighton Emrick (previously with Orgy) provided the heavy distorted aggression over the techno beats.
Fans got a taste of the new Carla Harvey era Lords of Acid material with their single “Dream Boy,” a catchy hypnotic track incorporating the band’s signature hard riffs and techno beats but adding a pop reggae element in the chorus.
Later in the set, Harvey invited over a dozen ladies from the audience onto the stage for “Pussy” and danced playfully and seductively with several ladies, exchanging laughs and hugs with adoring fans.
Another show highlight was the band tossing out inflatable sex dolls during “Rubber Doll.” Fans batted the nude blow ups around like beach balls adding to the carnival-like humorous festive atmosphere.
The exciting show ended with the one-two punch of “Out Comes the Evil” and their signature anthem “I Sit on Acid,” sending the crowd into a final euphoric dance celebration.
The next era for the Lords of Acids is off to a great start with new lead singer Carla Harvey.
Fans responded enthusiastically, cheering her every move and embracing her role as the band’s newest frontwoman. Now I can’t wait for the new album to be released later this year!
SHOW PHOTO GALLERY
by Greg Vitalich Photography
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SID 260604 | TRACI TURNER | EDITOR [...]
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June 2, 2026UncategorizedCelebrates 90 Years
with a North American Tour
June 2nd, 2026 by Joey Clark
Buddy Guy isn’t throwing in the towel just yet folks; he’s back on the road to celebrate his 90th birthday with a full North American tour! We thought the bluesman had used the 2024 Damn Right Farewell Tour as a poignant way of announcing his retirement from the road.
Thankfully, it seems that you can’t hold back the nine-time Grammy Award winner as he pushed on to do the Damn Right Encore tour just last year. I think it’s safe to say we can all appreciate the change of heart from the seasoned musician.
Age does not seem to faze the legend from Louisiana in the slightest. Guy can often be witnessed performing flawlessly one-handed on his signature, polka dot Stratocaster in the middle of a crowd – all as he takes a shot of his favorite indulgence, a shot of cognac.
He is also continuing to rack up awards in his later years as his ninth Grammy was awarded just this year for his 20th studio record, “Ain’t Done with the Blues.” Talk about a man who won’t quit!
Buddy Guy | “Ain’t Done with the Blues
Guy’s tenacity and passion for music is nothing short of awe inspiring. From humble beginnings working the cotton fields in his youth and learning guitar on a two-stringed diddley bow, to becoming a pioneer in blues and a Rock and Roll Hall of Fame recipient, one of a select few musicians to be a Kennedy Center honoree, Buddy Guy is truly one of a kind.
Do not miss your chance to witness this legend in person! The 30-date tour will span the course of three months, and he will stop in SoCal at the Hollywood Bowl on September 9th, and The Rady Shell at Jacobs Park in San Diego on September 11th.
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SID 260603 | TRACI TURNER | EDITOR [...]
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June 1, 2026Uncategorized& Friends Coming to Garden Amp
June 1st, 2026 by Bruce R. Kilgour
The legendary desert-born punk rock outfit Throw Rag is busting out of the Salton Sea and coming to Orange County’s Garden Amp on June 20th.
Known for their chaotic, high-energy live shows and their “psychobilly-meets-surf-punk” sound, the four-piece band is set to headline an entertaining evening of raw rock ‘n’ roll.
The band formed in 1993, and founding members Sean Wheeler (a.k.a. Captain Sean Doe) on vocals and rhythm guitarist Daniel “Scorcho” Lapham remain on board. Francis “Franco” Cronin (bass) and Patrick “Dino” Bostrom (lead guitar) – who both joined in 1994 – also remain on hand. Jorge Disguster (also from The Hangmen and Greg Antista & The Lonely Streets) on drums rounds out the current Throw Rag lineup.
Fans can expect to hear Throw Rag classics such as “Bag of Glue,” “Hang Up,” and “Hollywood” from their 2003 LP “Desert Shores,” along with tracks from their 1999 debut album, “Tee Tot.”
Huntington Beach punk rockers The Grabbers will be bringing their hardcore SoCal tunes to the bill and are sure to perform songs from the 1996 LP “The Hand You’re Dealt.”
The Grabbers do not play too often, so this set will be a rare Orange County treat!
Fullerton’s own Greg Antista & The Lonely Streets will also be performing at this show. Antista has deep roots in the Orange County punk scene, having been a close friend and collaborator with the late Steven Soto (of Adolescents and Agent Orange), with whom he formed the band Joyride in 1990.
The Lonely Streets boasts a truly stellar lineup of Orange County punk legends – Frank Agnew (Social Distortion / Adolescents) and Warren Renfrow (Cadillac Tramps / Manic Hispanic.) Disguster will be pulling double-duty on drums.
Additionally on the bill are San Diego punk rockers The Plagues, plus – in the Locker Room – The Bourbon Saints, The Fryin’ Saucers, and Get In Loser will be doing sets.
Tickets for this blast of summer punk rock fun are now available.
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SID 260602 | TRACI TURNER | EDITOR [...]
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May 31, 2026Uncategorized2026 NORTH AMERICAN TOUR
Featuring THE SMITHEREENS
June 1st, 2026 by Bruce R. Kilgour
Long time new wave mainstays The Fixx have announced a 21-date summer tour of North America during June and July of this year, and on select dates (including both Southern California shows) they will be joined by very special guests, The Smithereens.
In 1979, the five original members of The Fixx did not exactly burst onto the scene. College pals Cy Curnin (vocals), Adam Woods (drums), and keyboardist Rupert Greenall were joined by various bass and guitar players under their first band name, Portraits.
Guitarist Jamie West-Oram joined in 1980 along with bassist Charlie Barrett, and new lineup was briefly known as The Fix, until their new major label – MCA Records – requested a name change to The Fixx.
Their debut album “Shuttered Room” was released in 1982, and modern rock radio fully embraced the two smash singles, “Stand or Fall” and “Red Skies,” as did the barely year-old MTV music video channel.
One year later, their second LP “Reach the Beach” was released and produced two more huge hits in “One Thing Leads to Another” and “Saved by Zero.” New bassist Dan K. Brown joined in 1983 and remains in the band to this day. Three more successful albums were released between 1984 and 1989, each containing at least one major hit song.
The Fixx continue to occasionally record and have released seven albums over the last 30 years. Touring has never stopped for these alternative icons, who most recently completed a 32-date run of the United States last year with a core lineup that has lasted over 40 years.
New Jersey rock / power pop band The Smithereens formed in 1980 with members Pat DiNizio (vocals and guitar), Jim Babjak (guitar and vocals), Mike Mesaros (bass guitar and vocals), and drummer Dennis Diken.
It took six years, however, to release their debut LP “Especially for You” which contained the massive MTV and college radio hits “Blood and Roses” and “Behind the Wall of Sleep.”
Their second album followed in 1988, “Green Thoughts,” which featured the hit “Only a Memory.” In 1989, the album “11” marked the end of their peak commercial era with the pop hit “A Girl Like You.” In the following 25 years or so, the band mostly released cover albums in tribute to their heroes The Beatles and The Who.
Singer (and sole songwriter) DiNizio tragically passed away in 2017, and a year later, The Smithereens decided to continue their legacy with Babjak, Diken and Mesaros touring with different guest vocalists, including Marshall Crenshaw, Robin Wilson of the Gin Blossoms, and more recently John Cowsill. Bassist Severo “The Thrilla” Jornacion typically performs with the band, with Mesaros only rejoining the band for select shows.
Expect an exciting evening of hits when The Fixx and The Smithereens perform their only greater Los Angeles area show on July 30 at The Belasco – tickets are now on sale!
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SID 260601 | TRACI TURNER | EDITOR [...]
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