Publication Date June 17, 2026
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June 16, 2026UncategorizedThe Boys Are Back in Town
SUBLIME Release “Until the Sun Explodes”
June 16th, 2026 by Kevin Gomez
On Friday, Sublime, the ska-punk-reggae band famously from Long Beach, released their first album in 30 years. A landmark, no doubt, but much like the band itself does not come without complexities and an ever-expanding story.
The album, “Until the Sun Explodes,” has already spawned two chart-topping hits. “Ensenada” was released last summer, almost a full year prior to the album’s release, and was the first completely original Sublime track since their life-changing self-titled album from 1996.
The eponymous “Sublime” would cement the band’s legacy as superstars with singles like “Jailhouse,” “Burritos,” “Garden Grove,” “Santeria,” “Caress Me Down,” “What I Got,” “Wrong Way,” “April 29, 1992 (Miami),” and “Doin’ Time.”
These songs became the soundtrack to ‘90s alternative rock, but especially in Southern California, where they still get played every single day.
Just two months before “Sublime” was released, lead singer Bradley Nowell tragically passed away and the band broke up soon afterwards, before they got to truly experience their fullest potential.
Drummer Bud Gaugh and bassist Eric Wilson would briefly reunite with a new lead singer and guitarist, Rome Ramirez, under the moniker Sublime with Rome.
They would release “Yours Truly” in 2011, a solid ska-reggae album capturing many of the same vibes as the original Sublime band. Gaugh would dip out shortly after this album until the band discontinued in 2024.
In December of 2023 Gaugh and Wilson would again reunite at a benefit concert for Bad Brains lead singer, H.R. This time, however, they were fronted by Jakob Nowell, Brad Nowell’s son on guitar and vocals.
Photo by Joey Clark
Following the success of this show the reunited Sublime played two weekends at Coachella in 2024 to massive media buzz.
Between then and the hereafter, we got a taste of what was in store for Sublime fans worldwide. The gift was a project with Stick Figure.
Complimented by long ago recorded vocals by Bradley and now with his son Jakob, the tandem would be a savory backdrop. And just like that, we got “Feel Like That.”
At the time, the plan was only to play a few shows with this revised lineup, but ultimately several jam sessions eventually led to writing new songs. The rest is what would ultimately become “Until the Sun Explodes.”
Until the Sun Explodes
“Ensenada,” the album’s first track, broke a Billboard record, spending 28 weeks at number one on the Rock & Alternative chart last year.
This past March the band released the self-titled track for the album, which reached number one on Billboard’s Alternative Airplay.
And yet, there’s been a viral buzz since Nowell’s recent statement on the band’s future. Despite all the media inflamed distraction, Nowell seems optimistic about future gigs with Sublime.
Nowell said, “Unless a child of mine wants to make another one one day, is the last I’m gonna make.” Although he is grateful for everything that the album allowed – including healing the relationship with his father and growing as an entertainer – Nowell says this album is a one and done.
But fret not; no one knows what the future holds. This album itself was never supposed to happen and look where we are. A full Sublime album no one ever thought possible, and instant success with the first two singles. In addition, a whole slew of shows scheduled for the rest of the year.
So, rather than worry about whether or not another album will follow, let’s just sit back enjoy this one along with the rest of their discography and get prepared to catch them when they roll into your town.
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SID 260616 | TRACI TURNER | EDITOR [...]
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June 15, 2026UncategorizedINDUSTRY REPORT # 67
Catching up with Kevin Lyman
WARPED TOUR 2026
June 15th, 2026 by Traci Turner
When the Vans Warped Tour returned in 2025 after six years away, we rejoiced! It was of course a success and returns this year with additional countries added, leading to what may become global domination! Ok, perhaps it is not THAT dramatic yet, but anything Kevin Lyman puts his mind to tends to rule the world.
This past weekend, Warped kicked off 2026 in Washington D.C. Their return to Long Beach will be a two-day event, July 25th-26th. Orlando also gets their Warped again, November 14th-15th.
Added to the calendar this year are two international dates: Montreal, Canada on August 21st-22nd, and Mexico City, Mexico on September 12th-13th.
THE REEL BIG RETURN
The lineup for Long Beach is incredible as always. If you are headed to Shoreline Waterfront, you can catch performances from Hoobastank, Jimmy Eat World, Jinjer, MxPx, Papa Roach, Simple Plan, Yelawolf, The Starting Line, Thrice, Story of the Year, The Ataris, The Used, The Story So Far, Bowling for Soup, 3OH!3, Flogging Molly, We Came As Romans, Plain White T’s, Taking Back Sunday, Lagwagon, Mad Caddies, Phantom Planet, Bad Cop / Bad Cop, Carolesdaughter, Dinosaur Pile-Up, Glassjaw, Sleeping With Sirens, Reel Big Fish and many, many more.
All of the usual Warped Tour features will return as well – the Battle of Bands, bands at merch tents, canned food drive, party vibes, and of course, set times announced the day of.
The master of organization himself, Kevin Lyman, took a break from the chaos to chat about life since last year and what to expect in 2026.
Traci: How is your neighborhood after the fires? I know it was heavily damaged and you were involved in some major benefit shows.
Kevin: Things are being built; it’s slow, but you see some progress. That’s all you could do, and everyone’s in a different phase of where it’s at. We’re gonna start seeing some of the homes around our street, and I think a few of them are probably will be done by the end of the year. Two years to get some of the first homes done, but I think there’s been 13 or 14 homes completed now.
Traci: You’re teaching five classes at Thornton School of Music at USC, plus you have the Departure Fest, To Write Love mental health movement documentary, benefit concerts, tours at the Punk Rock Museum, Summer School Tour, plus Warped – the longest-running North American festival tour. Do you ever sleep?
Kevin: I’ve got a lot of good people around and that makes some time for yourself too. So it’s all good. I’m lucky to be in a position like this. I was just with some people who are around my age, who are kind of in that limbo world, that are like, “Wow, how am I still relevant?” It’s hard to hear those stories. But I’ll just keep doing what I’m doing until I’m not, I guess!
Traci: Last year you and I talked ahead of the 30th anniversary of Warped and the shows were obviously a success. I’m looking at the numbers from the charity collections. Can you tell me the difference between fan donations of $83,000 and guest donations of $34,000?
Kevin: Fan donations, they’re donating to charities and things at the booths and on site. The guest list donations, we charge $20 for guest list tickets, and we donate that to the food bank.
Traci: And then the nonprofits had more than $250,000!
Kevin: Yeah, the nonprofits collected $251,000, I think.
Traci: That’s freaking amazing, and then now you’re doing it again.”’
Kevin: We’re doing it again! First one next week. (Interview held before the Washington D.C. Warped.)
Traci: D.C. has an awesome lineup – I mean, they all do.
Kevin: I think the lineups are fantastic. I think we’re alternative programming to the UFC fight on the lawn of the White House. I think this would be looked at as almost like year one of Warped Tour. Last year was the excitement of coming back. People were just buying sight unseen. Then this year it’s like, “We’ll see who’s at the show.” We’ll probably hit 90% capacity in D.C., which I think will be a nice show. Would that 10% have been there on a different weekend? I don’t know.
He continued, What I’m really excited to see is it continuing what I think was a lot of new people coming to Warped Tour and people who got turned on to Warped Tour. And maybe some of those fans went for one year in a different phase of their lives and they’re not really going to fest – they went to one festival and like, it’s hard to go to a festival at a certain part of age of your time of your life.
Traci: Yes, I’m there. (laughing)
Kevin: Yeah, physically festivals are hard! So I’m really interested to see what the audience is like a week from now.
Traci: Is there anything different or what do they need to know for this year?
Kevin: Well, we’re continuing to build off of some of those artists that we brought back for the first time last year. We’re going to bring them back. We’re bringing back a few things. We’ve got wrestling, we’ve got some of these other attractions we’re bringing. We teamed up with Emo Night. We’re trying to build more on these community events prior to the event. These free events that we did went so well. They went so well in Orlando that we’re building off of those community type things. We’ll have a restaurant week in Long Beach again, and I hear there’s gonna be 25 restaurants that will have Warped-themed menus items that week.
He went on: We’re looking at doing a couple free shows. A lot of the festivals, they do some of their pre-parties and things, but usually they’re a ticketed event. We’re trying to build things where people can just come and hang out, if that makes sense.
Traci: The comments that I see on Reddit and social media are how the Warped Tour price point is excellent. I know that’s so hard right now – I mean, I know it’s always challenging anyway, but you guys are really making it happen.
Kevin: It’s definitely tricky, but I think it’s tricky for people to go to festivals, to be honest. In D.C., we were supposed to go up another $10 on Sunday. I think our ticket price was supposed to go to the next level. We just decided today don’t raise the ticket price. People are struggling, you know. We’ll be okay; that extra $10 might mean someone has enough gas to come down to the show.
Traci: Yeah, and a lot of things suck right now, so it’s nice to have something good, like Warped, to look forward to and escape the suck.
Kevin: That’s what we hope. We can hopefully give you a couple great days this summer in a time that is really hard. There’s a lot of unease out there, unease in the world, and I’m hoping to give people a safe, fun place to let loose.
Traci: Last year you said you wanted to expand internationally, and you’re doing that! This year you added Mexico and Canada.
Kevin: Yeah, that’s really fun. I’m really having fun with that. Mexico, you always need a great person in the market that understands Warped. A gentleman named Miguel Ramos approached me about doing Warp down there, he works with one of the big promoting companies down there. Other people at his company wouldn’t understand Warped Tour. You have to understand Warped and he totally gets it. So he’s doing all these activities like community events.
He continued: We’re doing like a punk rock swap meet and flea market that we’re sponsoring down there for all the little independent labels in Mexico. We’re trying to show them that we’re doing more skate, we’re doing stuff skating-wise and street skating, bringing in the Latin bands. It’s a good time. I mean, they’re our southern neighbors. You bring it together through music. The response is great if you just take it from a straight tickets-wise. We’re approaching the 30,000 tickets sold in Mexico and going up to Montreal, which it’s a great city, Montreal. I just feel like it’s really cool that we could go do that because it’s just music brings people together.
Traci: You have shows July, August, September. It is almost like you’re laying the groundwork for a whole year of Warped shows.
Kevin: Well, it might not be a bad thing! If I could figure out how to connect it all and drive my van from city to city, it’d be super fun. I mean, we don’t know. I’ve good partners and they’ve been great to work with. I don’t know if next year would be the year to expand again or just build on what we’ve done, to be honest. I mean, that might be hard to expand in a tough year like this, just tough environment, right? But a lot of people have been inquiring, I get calls all the time from countries that are interested in bringing Warped Tour back. I’m glad it still has a good spot in people’s hearts.
Traci: My last two, somewhat tough, questions: I know you’re not supposed to pick favorites, but are there bands that you’re going to put your phone on do not disturb, turn your walkie off, and go see?
Kevin: I think Rise Against is always that band now that you can go, and they have so much to say. But Grandson, I’m super excited about Grandson playing Warped Tour. The Front Bottoms. Yeah, those two I’m really excited about right now.
Traci: The other tough question: If you had to pick one, which merch item would you buy?
Kevin: Which one would I buy, and which one are people so excited about? The windbreakers went over great last year. Windbreakers were great. I think we put a lot of time into our merch, and it covers the gamut of maybe that older audience as well as that younger crowd. And I might have to get myself a windbreaker this year.
Traci: Well, you know we have affection for you and Warped and it makes me so happy to see how positively everybody talks about the tour and you.
Kevin: Well, thank you. I try to instill in everyone that works with me, you know, we’re not brain surgeons, we’re not curing cancer, but we can do good things to help our community. It’s not all fun and games all the time, but we’re very lucky to get to do what we do. And the fans are the ones that allow us to continue doing what we do, so let’s make sure we take care of them and give them the best show we possibly can. It’s not a complicated philosophy, really.
Traci: Which hat are you gonna wear to Long Beach?
Kevin: I don’t know, I’ve been wearing my same cowboy hat a lot right now.
Traci: That’s how we find you!
Kevin: Yeah, probably keep that one and keep this one in circulation this year.
Look for the busy man, dashing all over Long Beach at Warped and say, “Hey Kevin! Thanks for putting this thing together!” Tickets for DC in 2027 go up this Friday!
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SID 260614 | JIMMY ALVAREZ | EDITOR [...]
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June 14, 2026UncategorizedNorth American Tour
Coming to Yaamava’ & Acrisure Stadium
June 14th, 2026 by Stuart Karpel
There’s no doubt one of the greatest songwriters of all time is Bob Dylan. Producing album after album for generations of fans, yet his concerts do not heavily rely on nostalgia alone.
He restlessly continues to approach live performances with the same unpredictability and freshness that has defined his veteran career. You now have the chance to see it for yourself when he brings his summer tour to North America.
The soul of a generation and the voice of our lifetime.
Dylan will start the tour at Thunder Valley in Lincoln City and play seven consecutive shows across The Golden State. Starting June 12th, the trek will continue in California until June 21st, from Berkeley, to Santa Barbara, to San Diego.
His contribution to music is much more than any normal artist-to-consumer relationship. His art has become woven in American culture as a staple of Westernized-rock, folk and pop while he’s remained a household name for over half of a century. From a Nobel Prize in literature, to multiple bronze statues, and countless multi-platinum albums, Dylan’s achievements are incomparably astounding and to this day, he is still somehow able to discover new possibilities through his performances.
It’s not hard to recognize that these achievements speak for themselves, serving as a historical landmark of his poetic productions which have chronicled love, heartbreak, protest and faith.
While staying influential to the lives of over tens of millions, the living legend doesn’t plan to stop creating everlasting memories for his fans anytime soon; evermore the reason to appreciate his “Never Ending” efforts to write new chapters in his remarkable career.
Concertgoers can expect to hear some fan favorite songs, “Tangled Up in Blue,” “Blowin’ in the Wind,” “Knockin’ on Heaven’s Door,” “The Times They Are A-Changin'” “Lay Lady Lay,” “Mr. Tambourine,” and “Like a Rolling Stone” just to name a few.
The 85-year-old rock-legend also plans to integrate his most recent albums, “Shadow Kingdom” and “Rough and Rowdy Ways” during his performance.
Snag your tickets now as they are selling out quickly, and you do not want to miss the rare opportunity to experience the remembrance of a musical journey unlike any other.
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June 12, 2026UncategorizedBrings Down the House at
F&M Bank Amphitheatre
June 11th, 2026 Review by Jimmy Alvarez
Southern California has always been a place for fun, sun and entertainment. For many, Long Beach has been a place where memories have been made. On the inaugural show at F&M Bank Amphitheatre, Long Beach was ripe to be one of those moments in time fans will never forget.
It’s been a minute since the announcement was made of the new venue, and the day was finally here. As the masses gathered, the staff at OC Music News was set to walk over to check out the show for the hometown hero.
As we started our walk in, we ran into a family that was visiting from Brookings, Oregon. We ran into Heather, Ginger and her two boys, Jace and Bryant. They mentioned they are originally from SoCal, and this show was definitely a bucket list moment for them. They grew up listening to the music of one, Calvin Broadus, Jr. who is most affectionately known as Snoop Dogg. When they heard the news that he would open the Long Beach Amp, they got tickets and couldn’t wait for this day. Like most, his music was the backdrop to the soundtrack of their youth.
I also ran into Jerod Brown, he said when he was younger, he was getting in trouble all the time, and Snoop made him think about life and what he wanted to do with his life. Because of his music, he turned things around and has a family he loves and credits his luck to being positive, like Snoop. I also met Mirna Echevarría, she too told me how much this show meant to her. She said his life has been inspiring for her. She said that she realized a long time ago that it doesn’t matter where you come from, or what your past was, be positive and believe in yourself and good things will happen. Her admiration was not due to his music; it was about how he lives his life and for that… he became a role model to her.
June 6th, 2026
As doors opened we all got to see for the first time the harbor and the city skyline, wow. Then, as we cleared security, we saw the seating, and then there it was, in the backdrop was her Majesty, the Queen Mary. That was a sight you just don’t see anywhere else, so yeah… what a sight! The press release described the $21 million F&M Bank Amphitheater as a venue that sits right on the waterfront with the Queen Mary in the background. This venue does right by the city and adds significant value to its musical legacy.
Once in, the Amp filled up quickly – the crowd was diverse, all nationalities and ages were represented; teens, 20 and 30 something year olds rolled in: there were fans in their 50s, 60s up to a 99-year-old were all in the house.
Photo by Marvin Roca
As we took our seats, I noticed some serious looking security around. Turns out that the city of Long Beach had just hosted the U.S. Conference of Mayors. It had leaders from Atlanta, Sacramento, Richmond, Santa Monica, Fresno, Oklahoma City and San Diego. I’ll circle back to that.
The show was hosted by comic, Gary “G Thang” Johnson. He lived up to the hype; he was funny and kept things rolling. First up was Snoop’s nephew, Rey Vaughn. He did a very good job as the opener. He provided a great sound and had dynamic delivery of his music.
Because he was an opener, his set was abbreviated, fans appreciated his set. Vaughn delivered on “XXXL Tee,” “3PM,” “Klown Dance,” “Suburban Kidz,” and a very funny and entertaining offering of “Dollar Meal.” He could’ve have stayed out a little longer, but he too like his uncle is a showman and he gave the capacity crowd what they wanted, a short and good opening set then, a handoff to the headliner.
Photo by Marvin Roca
The show was billed as Snoop Dogg & Friends back in the LBC, the “friends” portion was kept under the vest until the proverbial curtains were to go up. The moment finally arrived that fans were waiting for – it was show time! Featuring two dynamic dancers, the enormous video screen was a great addition to the stage which took us on a virtual journey through the history of West Coast rap and the culture it created.
The show started with “Deep Cover,” which fans lost their minds over. Snoop was Snoop, cool as an ice cube with his stylish dance moves in tow.
Who knew he would deliver a 49-song opus; some full-length songs and others were abbreviated versions: minuets so-to-speak.
The hit parade made the crowd nostalgic as they sang along to “Lil’ Ghetto Boy,” and “Nuthin’ but a “G” Thang.” Both songs made that place shake. Other show highlights included “Rat-Tat-Tat-Tat,” “Stranded on Death Row,” and “Who Am I? (What’s My Name?)”
Fans loved, loved, loved “Tha Shiznit,” “Serial Killa,” “Lodi Dodi,” then the crowd got real as they erupted to “Gin and Juice.” Everybody was on their feet, singing along and having the time of their lives!
Another highlight was the 2Pac cover of “2 of Amerikaz Most Wanted,” “Snoop’s Upside Ya Head,” “G’d Up,” “P.I.M.P.,” and a cover of Katy Perry’s “California Gurls.” All I can say is them cats can dance – it was a show!
Photo by Erin Nola
“Push It,” “Yaya,” and another kick-ass cover followed: House of Pain’s “Jump Around.” It was incredible how much the crowd loved the performance. In addition to the great tunes, Snoop was joined throughout the night by a drove of great artists, The Lady of Rage, Kurupt, Daz Dillinger, Big Tray Deee, Tha Eastsidaz and N’Matez.
As unreal as the show was, all good things eventually come to an end as Snoop Double O-G closed out with “Drop It Like It’s Hot,” and “Young, Wild & Free.” Needless to say, the show got a standing ovation that was moving. You could feel the emotion and love from the crowd for not just that night of music, but what this music has meant to the crow over their lifetime.
Photo by Erin Bola
Now that the show was technically over – there was that thing with the city representatives being in the crowd. Turns out Long Beach Mayor Rex Richardson was there to honor Snoop with a key to the city.
In the delivery, Richardson said, “Long Beach created the culture, and Snoop Dogg shared it with the world. “Tonight’s sold-out opening of the F&M Bank Amphitheater was more than a concert; it was a historic cultural moment decades in the making. Presenting Snoop Dogg with the Key to the City recognizes not only his extraordinary achievements in music, entertainment, and business, but also the authenticity, creativity, and pride with which he has represented Long Beach on the global stage for decades.”
Photo by Marvin Roca
In the end, it was the positive influence Snoop has had on Long Beach and its residents who consider him part of their family. This was more than an opening night of a new venue; it was a homecoming and recognition of one of its favorite sons. Turns out Heather, Ginger, Jerod and Mirna all capsulized what Snoop means to so many people for so many reasons.
Photo by Alex Dobi
The amphitheater’s 2026 lineup is set with more memory making bands and artists, including Ice Cube, Lil Wayne, Les Claypool & Primus, Toto, Luke Bryan, Five Finger Death Punch, Dirty Heads with 311, Stick Figure, and Mötley Crüe, with many more on deck.
For Long Beach and Snoop fans worldwide, this was a night to remember. And for the staff at Long Beach Amp, a job well done!
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June 11, 2026UncategorizedLOS LOBOS
Rock The Garden Amphitheatre
June 11th, 2026 Review by Bruce R Kilgour
On a beautiful June evening in Orange County, Los Lobos made their Garden Amp debut in front of a sold-out crowd of devoted fans.
It is hard to believe that there are still Southern California stages the Grammy-award winning, East Los Angeles band has not performed on, but this venue was a perfect choice.
The night began with a 50-minute set by the popular local cover band Family Style, an extremely tight outfit that kept the crowd dancing with their well-crafted set of ‘70s and ‘80s funk and R&B hits.
Los Lobos four core members – David Hidalgo (vocals / guitar / accordion), Louie Perez (guitar / vocals), Cesar Rojas (vocals/ guitar), and Conrad Lozano (bass / vocals) – have stayed together for 53 years. Saxophone and keyboard player Steve Berlin has been around almost as long having joined in 1982. Playing together this long certainly affords them the chance to veer from their prepared setlist, and this reviewer has seen them do this at every show.
The list showed them opening with two frequently performed cover songs, “Flat Top Joint” (The Blasters) and “Love Special Delivery” (Thee Midniters), however Los Lobos came out to a huge roar from the crowd and launched into “Why Do You Do” from their 1983 EP “…And a Time to Dance.” Pérez explained to me post-show that they made a last-minute decision “to go old school!”
Evident from the start was the fact that the three guitarists intended to play loud and fast on this evening, with Rosas using his wah-wah pedal extensively and Pérez playing far more lead solos than we have seen in a while.
“Will the Wolf Survive?” and “Set Me Free (Rosa Lee)” from their first two LPs followed, then a rollicking version of the Ritchie Valens classic “Come On, Let’s Go.” Next up was the first Spanish language segment of the show with “Chuco’s Cumbia” and “La Vengaza de Los Pelados.” Pérez brought out his jarana – a small guitar-like Mexican instrument – for both songs.
Their cover of Sublime’s “Pawn Shop” was next, and the crowd was treated to a guest appearance of Hidalgo’s grandson Luca Savaglio on drums, giving Lobos drummer “Fredo” Ortiz a short break.
The band played a short snippet of “Papa Was a Rollin’ Stone” while special guest Sammy Avila set up at Berlin’s keyboard. Avila is a well-known and popular Orange County keyboardist most known for his long tenure in blues guitarist Walter Trout’s band, and sat in for “Evangeline” and a short version of “Oye Cómo Va.”
The Mexican bolero “Sabor a Mi” and ranchera “Volver, Volver” followed, with Hidalgo switching from guitar to accordion. A raucous cover of “I Got Loaded” was next, then it was back to the first album for “Don’t Worry Baby.”
The main set closed with a furious extended version of “Mas y Mas” that featured blazing guitar solos from Rosas, Pérez, and Hidalgo. Rosas said good night and praised the venue with a promise to return someday.
Los Lobos quickly returned to the stage for a lively “Georgia Slop,” the 1959 Jimmy McCracklin single they have covered for over 40 years. Not surprisingly, the crowd wanted “La Bamba,” and they got it (with a snippet of “Good Lovin’” in the middle) with Avila once again joining the festivities.
Los Lobos will be on tour all year, with many dates seeing them joined by Los Lonely Boys. Their next California shows are up north in July and August, and surely some local shows will be added to their calendar.
Fifty-three years on, Los Lobos are an American musical treasure!
SHOW PHOTO GALLERY
by Todd Markel Rock Images
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June 10, 2026UncategorizedSANTANA & THE DOOBIE BROTHERS
Team Up for ONENESS Tour
June 10th, 2026 by Stuart Karpel
Two Rock and Roll Hall of Fame musical legends have joined forces for a co-headline tour this summer. Carlos Santana and The Doobie Brothers will travel across North America for the Oneness Tour, giving us a night of Grammy-winning talent.
Carlos Santana has continuously bridged cultures and music genres for decades with his vibrant blend of blues, rock, and jazz, but fans know you can expect a lot more than just a performance – rather, it will be a musical journey.
Since the late-1960s, the legendary guitarist has continued to set the scene for rock music with his combination of iconic riffs paired with his unique Latin-music style. If you are looking to experience mind-blowing melodies, catchy lyricism, or you just want to catch a hypnotic groove, then you’re not going to want to miss this tour.
Fans can expect to hear the unforgettable sound that has defined his career for more than five decades, a communal experience built around euphoric energy and connection. Crowd favorites such as, “Oye Coma Va,” “Evil Ways,” “Guajira,” “Smooth,” “Winning,” “Maria Maria,” and many more chart-topping songs from some of his most infamous albums – “Supernatural,” “Santana III,” and “Abraxas” – are destined to be the soundtrack for the evening.
The upcoming tour celebrates the outstanding musical career of the psychedelic-rock legend who emerged from San Francisco’s 1960s music-scene. But thanks to Santana’s appearance at Woodstock in ‘69 – and the immediate success of the band’s first albums – the household name has consistently remained, producing Billboard-worthy projects for years.
The tour also correlates with Santana’s recent album, “Sentient,” showcasing his willingness to collaborate with other artists while also keeping the authenticity of his expressive, unique guitar-style.
It’s not the first time Santana and The Doobie Brothers have toured together. In 2019, The Doobie Brothers were on board for Santana’s Supernatural Now tour. Obviously the gents get along well!
The Doobie Brothers, of course, are legends on their own. After their jaunt with Santana, they have their own North American Tour, Walk This Road. The band will celebrate the 50th anniversary of their incredible album, “Takin’ It to the Streets.” Their sixth studio album, it was the first to feature the instantly recognizable Michael McDonald on lead vocals and keyboards.
In addition to the title track, it gave us other memorable hits “It Keeps You Runnin’” and “Wheels of Fortune.” The band is releasing a special anniversary edition of the album that includes tracks from original analog masters, which will drop July 10th.
The Doobie Brothers also have new material having released “Walk This Road” just last year. It’s the band’s “first ever studio album featuring principal members Tom Johnston, Patrick Simmons, John McFee and Michael McDonald.”
Hopefully they will give us some of their classics – perhaps “Black Water,” “What a Fool Believes,” “Listen to the Music,” “China Grove,” “Jesus Is Just Alright,” “Minute by Minute,” and “You Belong to Me.”
The Oneness Tour includes stops in Chicago, New York, Toronto, and of course Los Angeles. SoCal has August 11th at North Island Credit Union Amphitheatre in Chula Vista, and August 13th and the iconic Hollywood Bowl.
When the sun sets over the Hollywood Hills, and the stars shine brightly into the summer night, you can expect nothing less than a spiritual exploration with these musical heavyweights. It will be an evening jam-packed with honoring remarkable legacies, as well as the perfect manifestation for timeless live music.
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June 10, 2026UncategorizedWith Saving Grace
Announce Up The Sharp End Tour
June 10th, 2026 by Traci Turner
The voice of iconic rock songs “Stairway to Heaven,” “Immigrant Song,” “Whole Lotta Love,” “Kashmir,” “Ramble On,” “When the Levee Breaks,” “Dazed and Confused,” “D’yer Mak’er,” and “Babe I’m Gonna Leave You,” the one and only Robert Plant, will bring his current project, Saving Grace, to the US. I am willing to bet he will toss in some of that Led Zeppelin for us because… why wouldn’t he?
The English rock band that continues to influence the artists of today was formed in 1968 when Robert Plant, Jimmy Page, John Paul Jones, and John Bonham joined forces to create an electric-guitar sound changed the world of music.
Hundreds of millions of albums sold and these Rock and Roll Hall of Famers left behind a legacy of music that will endure for generations to come. Sadly, the death of Bonham led to the band’s break up in 1980.
The man who gave voice to those unforgettable songs, Plant would go on to create other projects including The Honeydrippers, Page and Plant, Them Crooked Vultures, and since 2019, Saving Grace.
Saving Grace’s Up the Sharp End tour will hit 16 cities, launching September 18th in St. Louis, and wrapping up October 15th in Chicago.
SoCal has September 26th in Highland at Yaamava’ Resort & Casino, and September 28th in San Diego at Humphrey’s Concerts by the Bay.
The band had a spring US run as support for the “Saving Grace” album – Plant’s 12th album since the Zeppelin days – but they are spending the summer hopping around Europe. Sharing the stage with Plant is co-vocalist Suzi Dian.
Ticket pre-sales are on now and general on sale begins Friday at 10 a.m.
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June 10, 2026UncategorizedLive at Observatory Festival Grounds
June 10th, 2026 Review by Joey Clark
Outside of the historic Observatory OC lay a simple field of asphalt. What normally serves as an ordinary parking lot for the venue’s plethora of shows became the foundation for a truly special night.
Yellowcard brought their Up Up Down Down tour to the festival grounds, and the night would prove to be incredible for those who remembered Vans Warped Tour fondly being a Mecca for pop punk fans. Cars were replaced with thousands of fans, merch tents, vendors, and of course an impressive stage that one wouldn’t dare want to take their eyes away from.
It was evident that many were fans of all three acts performing – Plain White T’s, New Found Glory, and of course, Yellowcard. With the parking lot being taken over, we were shuttled from Santa Ana college and fans were electrified with excitement on the packed buses – all before hearing so much as a single chord.
Plain White T’s were the first to take on the Orange County crowd. It’s not an easy feat, but the band forged together in full force for their eight-song set, led by frontman Tom Higgenson. What was evident from the beginning of their set was their joy and excitement; that sentiment carried through the crowd as each song passed.
The band’s current lineup has remained consistent since 2003, and their performance reflected that fact. They were dialed in on every level without taking away a moment of fun from their set.
What amazed me is that the crowd sang along to the lesser-known cuts from the band’s catalog – like “Would You Even” and “Feeling (More Like) Myself” – as much as they did the massive hits – like “Hey There Delilah” and “Our Time Now.”
What started as a small band from Lombard, Illinois fighting for a chance in the clubs of Chicago, is now a staple in our playlists and they reaffirmed their status in the pop punk scene for everyone in attendance.
The gaps between audience members began to lessen. New Found Glory would have to follow an impressive performance and deliver, and they would do nothing short of that. The level of enthusiasm that emanated from each of the band members was nothing short of extraordinary.
With lead vocalist Jordan Pundik spearheading the charge, everyone followed with a fun sense of chaos and mischief. There was no hiding that these guys loved to play and at the highest level through and through.
It’s rare to see a band have its original lineup still intact for nearly 30 years. Unfortunately, lead guitarist Chad Gilbert’s presence is sorely missed by fans as he is away battling cancer, but Dave Knox from Real Friends has stepped in during this difficult time and has afforded New Found Glory a stellar live performance.
The band kicked off the night with a new deep cut from the album, “Listen Up!” called “A Love Song.” The crowd was instantly won over by the heartfelt, yet punchy anthem.
What was thoroughly impressive is that the energy never dwindled throughout their set, they only upped the ante. From playing brand new songs like they were the staples we grew up with and remember so vividly, to performing the hits with a renewed sense of passion the boys brought their A-game.
I would be remiss if I failed to mention one of the biggest highlights of the night: Jordan Pundik asked if there were any Disney fans in attendance knowing full well the parks were in close proximity. The audience screeched with excitement as the band launched into their rendition of “Part of Your World” from “The Little Mermaid,” off the pop punk Disney album, “A Whole New Sound.” It was truly a spectacle as Pundik did the song justice and flowed through the high notes of the tune effortlessly.
The band ended their night with “My Friends Over You” and the crowd was singing at the top of their lungs, then bidding them a heartfelt farewell as they departed the stage.
One aspect of an Orange County crowd that never fails to amaze me is that they show up. Not only as attendants, but as participants. The crevices between concertgoers were filled, the pit was locked and loaded for Yellowcard.
After a hilarious encounter with t-shirt gun armed Ghostbuster and the Stay Puff Marshmallow Man, the stage went quiet.
Lead guitarist Ryan Mendez entered the stage performing the “Top Gun Anthem.” As the song progressed, members of the band emerged one by one – Josh Portman (bass), Sean Mackin (violin), Jimmy Brunkvist (drums), and then frontman, Ryan Key. The crowd’s response was insane to say the least.
The band launched into “Better Days” off their latest release of the same name. It has become the band’s first single to chart at number one in their storied career.
The stage was reminiscent of a vintage Nintendo system and Key had a Fender Telecaster made to fit the overall motif of the Up Up Down Down Tour name. The vintage look paired with a fresh sound was a clever and artistic juxtaposition. About mid-way through the set, a slight changeover took place, and a bedroom set now stood in front of the NES design. Upon the flannel patterned couches that now adorned the stage, sat the band. They toned down the pace for a few songs, giving the audience an intimate segment that served as a nice transition between the larger portions of the set.
To close out the night Yellowcard played an additional eight songs that included the hits, “Breathing” and “Bedroom Posters,” and closed with the pop punk staple, “Ocean Avenue.”
After the latter, the audience rejoiced with thunderous applause at the spectacle that they just witnessed.
Yellowcard, New Found Glory, and Plain White T’s gave the OC a phenomenal show that most of us will remember for decades to come.
FESTIVAL PHOTO GALLERY
by Highway One Photography
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June 8, 2026UncategorizedLIVE AT
In-N-Out Burger Sound Space at KROQ
June 8th, 2026 Review by Stuart Karpel
The newly renamed and refreshed In-N-Out Burger Sound Space at KROQ was the place for Death Cab for Cutie fans to be, and they lined the sidewalk in anticipation of the show’s start, enjoying their In-N-Out burgers and sharing stories about past shows.
KROQ employees, 106.7 contest winners, and Death Cab for Cutie super-fans alike waited anxiously for the doors to open, almost like the night wouldn’t truly begin until they were let inside. One fan casually mentioned it would be their 84th time seeing the band.
Once inside the In-N-Out Sound Space, every inch of the room quickly filled. More than 200 fans packed together shoulder-to-shoulder, gripping the front rail as if it were the edge of a cliff. The crowd buzzed with restless energy. Front-row fans flexed their shoulders and white-knuckled the stage railing, silently willing the show to start on their own terms.
Before the set began, KROQ’s Music Director, Miles Anzaldo aka Miles the DJ invited Ben Gibbard (lead vocals and guitar) and Nick Harmer (bass) to the stage for a brief interview, which felt more like a conversation between old friends than anything else. Mentioning their recent signing to Anti- records and the creation of their new album, “I Built You a Tower,” fans reacted with cheering and witty laughter as Gibbard spoke of a renewed sense of confidence and creativity with their new material.
Gibbard remarked that this experience “felt like the ‘90s” as nearly 90 songs were produced for the album, which made a “no phones” night at the Sid the Cat Auditorium the day before the perfect setting to embrace the connection between artist and audience. They shared their surprise that fans had already memorized multiple songs from “I Built You a Tower,” particularly “Stone Over Water,” despite only a few songs being available to the public at the time.
During the small intermission after the interview, the floodlights dimmed, an array of LEDs set the scene, and Death Cab took the stage as the crowd roared in excitement. From the first riff, fans know exactly what song would follow, “Riptides.”
From the get-go, the bass and drums surged through the room like waves crashing against a seawall. By the second verse, every one of Jason McGerr’s drum kicks was felt up your spine, seemingly shaking the floor beneath the audience’s feet.
The band then quickly launched into “The New Year” and as the LED lighting became brighter, Gibbard smoothly settled into a more animated stage presence.
The momentum continued with “Punching the Flowers” and “Here to Forever” as the tightly packed audience went from headbanging to swaying simultaneously with the somber ballad like tall grass in a windy field. The consistent singalong from the audience perfectly demonstrated the band’s ability to control the room’s emotional response.
Midway through the set, Gibbard switched to his sleek, black electric guitar leading into the next track, “Stone Over Water.” Ironically the instrument change slowed the mood, capturing the moment like a breath of fresh air after a sprint.
Next, they shared an unreleased song from the new album called “Trap Door,” introducing a quicker rhythm while maintaining a reflective energy. Gibbard picked up a tambourine, pressed it against his chest and despite the track’s newness, it felt nostalgic for the crowd like they’ve heard the tune a million times over.
They announced the last song, “Soul Meets Body,” as well as shouting out KROQ and thanking everyone for coming to the show. Fans practically sang the chorus on Gibbard’s behalf. For the first time all night, everyone pressed record and put their phones in the air, not to distract from the moment, but to encapsulate it.
Gibbard tossed his guitar pick into the crowd, causing a spontaneous but not unexpected wave of applause as the room exploded into a final plethora of cheers, whistles, shouts.
Although the seven-track setlist was brief, the band transported everyone in the room back to the ‘90s for an unforgettable night. The riveting performance wasn’t just a concert; rather a cherished memory for all those in attendance.
SHOW PHOTO GALLERY
by Skyler Barberio | @skylerbarberio (IG)
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June 7, 2026UncategorizedSLAUGHTER & QUIET RIOT
Coming to Grove of Anaheim
June 7th, 2026 by Stuart Karpel
If you’re looking for a communal headbang with the O.G.s of hair metal, Quiet Riot, Slaughter, and Tuff plan to rock-the-roof-off of The Grove of Anaheim next month. On July 24th, fans can experience high-energy tracks from albums like “Metal Health,” “Revolution,” and “The Wild Life.”
Originally performing in iconic hard-rock venues on the Sunset Strip and the Vegas Strip through the early ‘80s and ‘90s, the bands have been rocking out for decades and don’t plan on slowing down anytime soon.
From infamous glam metal ballads, including “Fly to the Angels,” “Up All Night,” “Don’t Wanna Let You Go,” and “Love’s a Bitch,” these bands never planned on staying poised, rather they want you to “Feel the Noize.”
These wild tunes don’t just consist of instruments being played, they are purely performed to rock your socks off and transform any venue back to a time of freedom and rebellion of the ‘80s and ‘90s.
No matter the bandmates’ age or struggle over time, their presence onstage remains as commanding as ever, and the Grove’s intimate setting will set the tone for the immersive echo of memorable hooks, timeless guitar solos, and an unforgettable, energetic spirit. Their performance is expected to exemplify the grit and adrenaline of the larger-than-life music genre that is hair metal, as well as unifying concertgoers across decades with an electric atmosphere.
If you want to hear explosive rock, you want a night drenched in nostalgia, or to just experience the powerful effect of rock-and-roll legends, come to Anaheim and prepare yourselves as this show won’t be like any other.
Ticket sales are limited, so get yours now because you don’t want to miss it.
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June 4, 2026UncategorizedINDUSTRY REPORT # 64
Catching up with L7’s Donita Sparks
June 4th 2026 by Traci Turner
Last year, punk rock veterans L7 celebrated their 40th anniversary with a sold-out bash at the Belasco in Los Angeles. Now the legends have decided to extend the party across North America with The Last Hurrah Tour, which is exactly what it sounds like, unfortunately.
Since they crashed the music scene of Los Angeles in 1985, the “Bricks Are Heavy” band made up of Donita Sparks (lead vocals and guitar), Suzi Gardner (guitar), Jennifer Finch (bass), and Demetra Plakas (drums) has been vocal about who they are, and that’s kinda why we love them. The incredible music – including their mega hit “Pretend We’re Dead” – is a fantastic bonus.
The farewell fall trek will kick off with two nights in San Diego, October 6th and 7th at Casbah, and then make stops in Nashville, Atlanta, Philadelphia, Boston, Chicago, Denver, and more before closing out back home in LA at The Wiltern on November 14th.
Announcing the tour, Sparks said, “When L7 decided to release a documentary in 2015, we thought maybe we would take one last victory lap around the sun by playing some shows. Instead, that lap turned into eleven more years of touring, sweat, new music, and reconnecting with the fans who made this all possible in the first place.”
Sparks went on, “Looking out into the crowd, seeing longtime supporters rocking out next to a new generation of L7 fans has been the most powerful and humbling part of this chapter. We are deeply grateful and ready to give our audiences one last, loud, fun, and hopefully unforgettable night of rock & roll.”
We figured the best source of info for The Last Hurrah Tour would be the legend Donita Sparks herself…
Traci: Donita! How are you?
Donita: I’m good. I’m busy, a little stressed, but it’s all good. We’re getting a lot of cool feedback on the announcement.
Traci: You are very busy! I saw that you’ve also been guest hosting a podcast lately. Are you enjoying that?
Donita: Yes, the podcast is called “Launch Left.” It was started by Rain Phoenix, and she did many, many interviews, and then she wanted to take a break, so she asked if I would guest host, and I did. I loved my guests, and I loved the conversations that we had. I interviewed Lydia Lunch, and Lenny Kaye from the Patti Smith Group, and Michael Des Barres. I really enjoyed it, but I did a lot of research, and it took a lot of time. Rain was like, “Oh, you don’t have to do research, just wing it.” I’m like, “I don’t wing anything!” It was hard work, but I enjoyed it.
Traci: The last time we talked, you mentioned that you liked Amy Taylor as a frontwoman for Amyl and the Sniffers, and now you’re going to tour with them. How did that come about, and have you met her yet?
Donita: I did! I saw her walking down the street in Echo Park; she was not dressed up or anything – she was in like jogging shorts and a t-shirt walking with a guy. I was just like, “That’s fucking Amy Taylor.” I pulled over and I said, “Hey, are you Amy Taylor?” and she said, “Yeah, you’re Donita Sparks!” So, it was really cool – she knew who I was, I knew who she was, and it was just this meeting of happenstance on, on the sidewalk. Then their agent contacted ours, and we’re playing with them next week. That’s how that came about, and we’re really looking forward to it.
Traci: Last year when we talked, you were gearing up for the sold-out 40th celebration event. Now… The Last Hurrah, the final goodbye!
Donita: The Last Hurrah!
Traci: That’s a lot of dates. You are covering the country.
Donita: Yeah. Yeah. It is a lot. When we announced the first dates, then the reaction was very positive, our agent was contacted by a lot more cities, and so that’s why it got so big. We had more days off, but then everything just got kind of jam-packed. It kicks off at the Casbah in San Diego now, and they wanted one show and that sold out, then they added another show. It’s cool, we’re starting out in San Diego and we’re ending in LA after doing the whole country, and it’ll be a cool tour.
Traci: Yeah, I was scrolling and scrolling, “Damn, they’re gonna be gone a while.”
Donita: Yeah.
Traci: Are you allowed to say you have planned?
Donita: We are coming up with ideas and we’re going to put on a show that’s different than we’ve put on for the last few years. There will be surprises in there. No plans for Jack Black coming out or anything like that, but you never know. It’s going to be a different show and a well-thought-out show. I mean, all of our shows are well thought out, but this one’s going to take more preparation.
Traci: Without naming names, is there a song or songs that you’ve always loved but you have never played?
Donita: Oh, this is such a spoiler question.
Traci: You could just say yes and I won’t ask the title!
Donita: Yes, there’s going to be songs that haven’t been heard on stage in 25 years, and then there’s going to be songs that we’ve never played on stage. New songs and old songs. That’s what we’re going to be working on, and that’s why we’re going to have to get together sooner and start rehearsing.
Traci: That was another thing you mentioned the last time we talked; you said you had to get to work because you had to write some new songs.
Donita: Yes, yes, I gotta do some work. I still have to do some work because we want to release a single or an EP this summer, so I’ve got to get on it. We’ve got it lined up with the manufacturer and everything, so I now I have to deliver. So that’s… what do they say? Ten percent inspiration, 90% perspiration.
Traci: When, in your life, did you start writing songs?
Donita: I started writing songs when Suzi and I got together. We started writing songs immediately, and that was in ‘85.
Traci: So, you weren’t writing songs about crushes at like age eight?
Donita: No, no, and I should have been. I should have been, because I wish I had been a better songwriter on our first record. I think I became a better songwriter. I just wish I had been writing earlier, like at 15 or 16. I just thought it was completely out of my reach. I was like, “What am I doing writing a song? Who the hell am I to write a song?” I viewed my idols as so untouchable and intangible, so why would I even consider getting into that arena, you know?
Traci: Well, you’re fucking Donita Sparks! Do it!
Donita: Well, you know, what can I say?
Traci: Was celebrating the 40th last year what put it in your heads to go out big?
Donita: That was it. It was like, “Okay, that’s our 40th. Yeah, we did great. Let’s do it one more time,” because when we went on our indefinite hiatus in 2001, 25 years ago, we did not go out with a hurrah. We trickled down, trickled down, the wheels fell off. When we played our last show, it was in Spain, we didn’t even know it was gonna be our last show. It’s like the Joni Mitchell song, “Don’t it always seem to go that you don’t know what you’ve got ‘til it’s gone?” So, we’re saying bye-bye, and there’s a lot of excitement about it in a good way, not in a bad way. I feel it’s gonna be a joyous occasion. Bittersweet, but a joyful one.
Traci: I saw online comments from fans that they appreciated that ticket prices were reasonable, unlike a lot of other tours right now too.
Donita: Wow, that’s great. I love that, because ticket prices are so expensive for fans and touring is very expensive for bands, and we are not a big enough band. We don’t have enough hits to play county fairs or casinos that can help subsidize your career. We can’t play Jay-Z’s birthday party. It’s expensive for us and we don’t want to jack up ticket prices. Between the cost of a bus and the cost of this silly war we’re in with the oil, it’s a lot.
Traci: Yeah, I’m seeing it all over, and it just sucks. It sucks for the bands and sucks for the fans, but I get it. Plus, not everyone understands just how much goes into touring costs.
Donita: Yeah. I think some of this blue dot fever, whatever they’re calling it, some of that is a little ego-driven because huge, huge artists don’t want to play to an empty stadium. I wouldn’t want to, but the ticket prices, the fans… it’s a mess. Where we’re at, we’re kind of lucky because our fan base is so loyal that we can do it. We just can’t do it any bigger than we can right now.
Painting by Becca Kozak
Traci: Do you guys have a support act or is that secret too?
Donita: We’ve got a shortlist. We’re trying to figure out if we’re gonna bring a band out for the whole tour or go regionally or even locally.
Traci: Now this hopefully will not break any kind of secret. What are you going to do after, when it’s all done? Are you just going to become a lady sitting on a porch yelling at kids to stay off your lawn?
Donita: Well, I don’t have a lawn, so that’s a problem! I’m not sure what I’m gonna do. I’d love to do some solo stuff. I don’t know if there’s a demand for it, but I’m gonna figure it out.
Traci: Well, we won’t push you out the door yet. Let’s enjoy this Last Hurrah starting in San Diego.
Donita: Yeah, we’ve got the two shows at the Casbah October 6th and October 7th, the ender at The Wiltern on November 14th. So be there or be square because it’s going to be fun. We’ve never played The Wiltern before, so it’s kind of, kind of a big deal.
Traci: Really?! I just assumed you had.
Donita: It’s a big place, and beautiful green Art Deco building, very historical. We’re playing a lot of historical theaters on this run. We’ve always done that; I always love that stuff. I’d rather play an old theater than, you know, a new modern whatever. But come on out to The Wiltern for the big show, and if you want, if you like it more packed and sweaty, come on out to the Casbah.
A sweaty night with L7 sounds pretty darn perfect! Join them for The Last Hurrah because according to Sparks, it really is the final run for L7, and you can’t say you were not warned!
In sad news, since our interview the band announced Jennifer Finch would need to sit out the tour due to a “health concern requiring extended treatment.” Tsuzumi Okai will handle bass in Finch’s absence.
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June 4, 2026UncategorizedLive at Music Box San Diego
June 3rd, 2026 Review by Greg Vitalich
For more than three decades, Lords of Acid have found success integrating electronic/techno dance music, heavy industrial rock, and brash sexuality. Founded by Belgian musician Praga Khan, the band’s hypnotic grooves, pounding beats, and provocative lyrics helped establish Lords of Acid as one of the most recognizable names in industrial dance music.
The recent addition of lead vocalist Carla Harvey was all the inspiration I needed to attend my first Lords of Acid show at the intimate Music Box in downtown San Diego. Harvey is well known for her charismatic stage performances and sex-appeal as former co-lead vocalist of metal act Butcher Babies. How would Harvey take on the role as Lord of Acid’s new “Acid Queen?” It was time to experience the Lords of Acid on their 2026 Cheeky and Freaky Tour.
Friday night downtown in America’s Finest City for some great live music: The first of several opening acts I enjoyed was the NYC pop disco glam outfit Tony and the Kiki, who’s drag queen theatrics kicked the night into festive high gear with a wildly entertaining set.
Following that vibrant outrageousness, darkwave act Dead on a Sunday changed the vibe up with a dark melancholy set, focusing on emotion and atmosphere powered by entrancing heavy guitar riffs over synth-driven grooves.
Both supporting acts delivered quality performances that built the night’s energy and readied the crowd for the headliners.
Lords of Acid kicked off their set with the raunchy “Scrood Bi U,” filling the venue with booming industrial dance grooves as a smiling Harvey took the stage with confidence and provocative gyrating body roll dance moves that captivated onlookers.
Sporting a stunning fetish-inspired red short dress, over the knee black spandex boots, and a sparkly “ACID” necklace, Harvey bounced all over the stage singing, “I wanna be screwed by you and you and you…” while pointing to various audience members.
MUSIC BOX
San Diego, California
May 29th, 2026
While Harvey’s powerful singing and sensual dancing captivated the crowd, the band blasted their signature heavy industrial techno grooves transforming Music Box into a raging adult-themed dance club.
Founding member Praga Khan rocked the synth, drummer Galen Waling was a monster pounding the kit, bassist DieTrich Thrall pounded pulsating bass lines while pacing the stage with a stoic goth presence, and guitarist Creighton Emrick (previously with Orgy) provided the heavy distorted aggression over the techno beats.
Fans got a taste of the new Carla Harvey era Lords of Acid material with their single “Dream Boy,” a catchy hypnotic track incorporating the band’s signature hard riffs and techno beats but adding a pop reggae element in the chorus.
Later in the set, Harvey invited over a dozen ladies from the audience onto the stage for “Pussy” and danced playfully and seductively with several ladies, exchanging laughs and hugs with adoring fans.
Another show highlight was the band tossing out inflatable sex dolls during “Rubber Doll.” Fans batted the nude blow ups around like beach balls adding to the carnival-like humorous festive atmosphere.
The exciting show ended with the one-two punch of “Out Comes the Evil” and their signature anthem “I Sit on Acid,” sending the crowd into a final euphoric dance celebration.
The next era for the Lords of Acids is off to a great start with new lead singer Carla Harvey.
Fans responded enthusiastically, cheering her every move and embracing her role as the band’s newest frontwoman. Now I can’t wait for the new album to be released later this year!
SHOW PHOTO GALLERY
by Greg Vitalich Photography
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